ROBERT MOUTREY

OIL PAINTER

London

Figure Painting Saturdays

Hosted Studio Practice

(Not teaching)

Select your block:

One place per person per block. Book multiple days/blocks if you wish.

10-week consecutive block. No credits or refunds for missed sessions.

A structured long-pose painting session built around one sustained nude set-up, with the same model returning each week across the block. Designed for slower, deeper work, it offers continuity from one Saturday to the next so you can return to the same painting and develop it over time.

Saturdays suit artists who want the conditions for more ambitious work: sustained concentration, continuity of subject, and the chance to build a painting in stages rather than in one sitting. It is the deep-work anchor of the week, with space for patient looking, revision, and more fully developed outcomes.

For a portfolio, it creates the conditions for more substantial and resolved works that show depth, commitment, and your ability to carry a painting across multiple sessions.

  • Format: Structured studio practice (hosted, not teaching).
  • Session length: 4 hours (morning slot) — 09:30–13:30.
  • Model time: ~3 hours of posed time within the session (allowing for breaks + reset).
  • Model continuity: Same model each week.
  • Pose structure: One sustained nude long-pose set-up, returned to after breaks (no frequent pose changes).

Each week follows the same shape: one long set-up → short breaks → return to the same set-up. Timings are approximate and may flex for model comfort.

Over the block you’ll get a rotating mix of:

  • Set-up time (a few minutes at the start to establish the pose, sightlines, and any simple staging)
  • Sustained painting blocks (typically 2–3 blocks of 45–60 minutes with short breaks)

The structure is designed to give you enough continuity to properly develop a painting — while still protecting the model with regular breaks.

Included

  • Professional life model + hosted, timed session structure
  • Basic studio set-up: space, chairs/stools, and a limited number of easels (11)/boards  (12) – first come, first served

Not included

  • Paper / sketchbooks / drawing media
  • Paint, brushes, palettes, mediums, solvents, rags
  • Any specialist equipment (mahl stick, wet panel carrier, etc.)

Bring (drawing)

  • Paper or sketchbook (A3/A2 works well) + board if using loose sheets
  • Charcoal / graphite / conté, eraser, sharpener/knife
  • Clips/tape
  • Optional: fixative (use outdoors only), apron, wipes/rags

Bring (painting)

  • Paints + brushes, palette + palette knife
  • Support (panel/canvas) + any clips/adaptors you need
  • Mediums you use
  • Rags/kitchen roll + a bin bag for waste
  • If using solvent: bring a sealed container and keep it minimal/low-odour

Storage policy

Please take all materials and work home each session — we don’t offer storage between weeks. If you’re taking wet work, bring a wet-panel carrier/box or suitable packaging.

A respectful room, run professionally

  • No photography or filming at any time.
  • Punctual start: posing begins at the advertised time — please arrive early enough to set up.
  • Respect the model and each other: no comments on bodies, no intrusive behaviour, and no touching.
  • Shared space: keep your footprint compact and leave walkways clear.
  • Materials: bring what you need — assume consumables aren’t provided.

Booking terms

  • Sold as a 10-week consecutive block.
  • Missed sessions aren’t credited or refunded.

Location & arrival

  • Area: Leyton, Lea Bridge Station
  • Arrival: Please arrive 10–15 minutes early to set up. Entry is via [front door / side gate].
  • Access note: We’ll send access info upon confirmation of your booking.

Access

  • Stairs / lift:Two flights of stairs, no lift
  • Step-free access: No — This is an old industrial building.

On-site facilities

  • Toilets: We have clean toilets with multiple cubicles.
  • Seating: Stools/chairs provided — limited numbers.
  • Water: Available for washing brushes / limited sink access. Please bring drinking water. This is an older building and the sinks are not suitable for drinking (there are signs saying “not drinking water”).

Space & set-up

  • One spot per person: one easel/board position per attendee.
  • Limited room to spread out: please keep bags and cases under your easel/table and walkways clear.

Ventilation & solvents (especially for painting sessions)

  • The room is ventilated, but please keep solvents minimal and in sealed containers.
  • Prefer low-odour options where possible.
  • No open jars of solvent left on the floor; cap everything when not in use.

Is this for you?

Beginners are welcome — but this isn’t a class.
You won’t be taught or demo’d. You’ll get one sustained nude long-pose set-up, the same model returning across the block, and continuity from week to week.

If you’re new:

  • Keep the format simple: manageable canvas size, limited materials, clear plan.

  • Use the first session to establish drawing, placement, and larger masses.

  • Build the painting in stages rather than forcing a result in one go.

  • Let continuity do the work for you.

  • Expect slower progress, but deeper learning.

If you’re experienced:

  • Develop a painting across multiple sessions.

  • Work with greater continuity and concentration.

  • Push further into structure, anatomy, and resolution.

  • Build more ambitious long-form figure work.

New to oil paint?
If you’d like a short 1–1 introduction before your first session, email Robert at info@robertmoutrey.com.

The Studio

We are a 7 minute walk away from Lea Bridge Station. Our studio is situated with an Argall Industrial Estate. Please call or message ahead of arrival to ensure there is someone there to greet you.

Address

Reserve Your Place

Figure Painting Saturdays

Hosted Studio Practice

(Not teaching)

Select your block:

One place per person per block. Book multiple days/blocks if you wish.

10-week consecutive block. No credits or refunds for missed sessions.

Weekly life drawing Life Drawing Tuesdays  (blocks: Block 2: 27 Apr – 5 Jul 2026) £150.00 Modify & complete order below
Weekly life drawing Life Drawing Tuesdays  (blocks: Block 3: 13 Jul – 20 Sep 2026) £150.00 Out of stock
Weekly life drawing Life Drawing Tuesdays  (blocks: Block 4: 12 Oct – 20 Dec 2026) £150.00 Out of stock

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Frequently Asked Questions

Did we miss something?

If you can’t find what you’re looking for, please don’t hesitate to get in touch.

To make an enquiry, you can contact me directly via email or through the contact form above. Please provide details about the type of portrait you are interested in, such as the subject, size, and any specific requirements or preferences you have in mind.
Yes, I am delighted to accept international commissions. We’ll collaborate to discuss the logistics of making it happen, including arranging for reference materials, consultations, and delivery. Shipping fees and any additional costs, such as customs duties, will be negotiated during the process to ensure a seamless experience. If you’re interested, feel free to reach out, and we can explore the possibilities together.
The time it takes to complete a portrait depends on several factors, including the size and complexity of the piece. Generally, it takes between 4 to 12 weeks from the initial consultation to the finished painting. Additional time may be needed for the painting to dry fully before varnishing and delivery, this can take up to 12 months.
Yes, I can work from high-quality photographs. This option is convenient for clients who may not be able to sit for live sessions. If you choose this option, please provide clear and detailed photographs that accurately represent the subject. I can also take my own reference photos if preferred.
Yes, I offer live sittings for clients who prefer this traditional method. Typically, a live sitting involves one or more sessions where the subject poses for the portrait. This approach can add a unique depth and vitality to the painting.
The cost of commissioning a portrait varies depending on factors such as the size, complexity, and medium of the painting. I offer different pricing tiers to accommodate various budgets and preferences. For a detailed quote, please contact me with your specific requirements.
Yes. I travel free of charge within London. For portraits outside of London but within a 25-mile radius of my studio, I charge a travel fee. Beyond that radius, I also charge for accommodation where necessary. While I prefer to work from my studio—where I can control the light and environment—I understand that location can often play a powerful role in telling someone’s story. I’m happy to discuss what works best for your portrait.
When commissioning a portrait, consider factors such as the size of the painting, the setting or background, the subject’s pose and expression, and whether you want the portrait to be realistic or have a more stylized approach. Discussing these details during the initial consultation helps ensure the final piece meets your expectations.

Thinking About a Portrait Commission?

Download the 2026 Brochure

This complimentary brochure offers insight into the portrait process, the types of portraits available, and what it’s like to collaborate on a handcrafted oil painting. Save it for future reference or begin your portrait journey today.